LAST CALL

Last Call is a drama from Gavin Michael Booth presented in a split-screen format over real time across two long takes shot simultaneously. It's certainly a method of presentation I've never witnessed for an entire feature before and it's one I won't forget in a hurry. Last Call tells the story of Scott (Daved Wilkins), a bitterly alone man, who phones the suicide prevention hotline one night and ends up, through a misdial, speaking with Beth (Sarah Booth), a janitor of a local community college.

Last Call deals with such a sensitive subject matter such as suicide in an incredibly emotional and respectful manner, Gavin Michael Booth and Daved Wilkins writing a narrative that slowly reveals more to the audience and in doing so becomes more heart-breaking with each passing minute.

It's an ambitious film in its execution, Seth Wessel-Estes' cinematography a great asset to the film, keeping the audience with these two characters as they go through a phone call taht will change their lives. It took me a while to take to the split-screen approach but once I did I was captivated with the entire thing and how it would unfold. Adrian Ellis' score also adds another layer of emotion to proceedings.

At the forefront of Last Call lies to contrasting yet equally as impressive performances from Sarah Booth and Daved Wilkins. Booth in particular has the more demanding role and she showcases a fantastic range of emotions throughout, making her a character to reallt get behind. That doesn't mean Wilkins just sits back and lets Booth do all the work because there is much more to his performance than just sounding depressed, leading to Scott becoming a character you don't want to see any harm come to.

Sadly, many people take their own lives each year so raising awareness by any means necessary is important. Last Call is an incredibly relevant film for this reason and one that you should seek out.

Verdict: ★★★★