GOOD BOY

Directors are always looking for new ways to deliver thrills and spills in horror films. There's plenty of sub-genres, such as supernatural and slasher films that can do just that, yet not one film has done what Ben Leonberg's Good Boy does. That is to tell the story from the perspective of a dog and having a canine lead the film.

A man moves into a new home that has supernatural forces lurking in the shadows. As dark entities start to threaten him, his brave dog comes to the rescue.

Good Boy is as fresh a take on the horror genre you could wish for, as Indy the dog looks to protect its owner from the entities lurking in the house. Wade Grebnoel's cinematography is one of the film's biggest strengths, taking the audience down to Indy's level and creating an unsettling experience, placing this loveable protagonist in the midst of such terror. The sound design is also worth noting, Indy being alert to the slightest noise which, in an already creaky house, could leave anyone on edge. Combine it with the dark corners of the house threatening to reveal a spirit at any moment, and you'll be right on the edge of your seat.

Leonberg co-wrote the film with Alex Cannon, and for the most part it's a film that will shred your nerves. Even at a lean runtime of 73 minutes, it just doesn't feel like there's enough here to sustain it through to the end. It's worth applauding what they're bringing to the table here but shaving another ten minutes off might have served it better.

It's not even ridiculous to say Indy the dog delivers one of the best performances of the year. Honestly, hinging the success of your film on an animal's performance is a risk and a half, but it pays off so well here. Somebody give this dog an Oscar!!

Good Boy is an interesting experiment of a film that deserves high praise for its ambition and execution. You just know we will be getting a horror film from the perspective of a cat or mouse soon.

Verdict: ★★★½